Kristjan Randalu, born 1978 in the Estonian Tallinn into a family of two pianists, grown up in Germany, has the potential to become one of the great pianists in the European Jazz. Kristjan Randalu is telling his story - an Estonian Jazz Story, a jazzy Story from Estonia, an East-Story from the Jazzland? Maybe it is all together but one thing is for sure - I will recognize his extraordinary musical strength and his voice immediately when he plays - and so will you. Uniqueness of your personal musical language represents a guarantee for freedom in a true Jazz-sense.

The manko of speaking in your own voice seems to have become the actual deficiency in our time. He is rather proving the fact that the search for your own voice has to lead to uniqueness. He represents a generation of intelligent music personalities who have managed to free themselves from the pressure of screaming Jazz-gurus who fail to realize that Jazz has become a minor playground for musical innovation. Check out the album teaser below.Young Money All Stars CD music 'Kristjan Randalu is not a Jazz musician. “The one day where he walked off stage, he had said, ‘I just felt like they didn’t like me,’ so he walked off stage,” drummer Travis Barker explained in an interview last year.įuneral drops on Jan.

He changed his mind hours later.Įven with all the tour trouble, Blink-182 had nothing but good things to say about Weezy. In 2019, the 37-year-old rapper embarked on a joint summer tour with Blink-182, but the jaunt was marred by difficulty as Wayne walked off stage during one show and threatened to quit. The New Orleans native’s last studio LP, Tha Carter V, dropped in 2018 after years of delays. Self-discovery, rebirth – call it whatever you want to call it but it feels awesome, I swear to God.” Now, it’s let me see what I come up with. it was just me going to the studio and saying, let me kill ten more songs and then I’m going to go home or do whatever I was doing. “…I can’t wait to get in the studio now every night, just to see what I can come up with.

Cut a beat on, I’m going to go and you let me know when to stop,” Wayne said. I used to go to that muf***a and do 12 songs a night. Going to the studio now, for me, is awesome. “I love the difficulty of trying to fit in with what’s going on today, making sure I sound likable to the ears today and having to remind myself that it’s not about what it was back then.

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